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- Study of a Seated Lady
- ca. 1740
- Hugh Douglas Hamilton, 1739–1808, British
- Henry Reveley
- 1770
- William Hamilton, 1751–1801, British
- A Dramatic Scene with Three Women in an Interior
- 1794
- Theodor von Holst, 1810–1844, British
- Prospero Watching Ferdinand and Miranda
- ca. 1840
- Spencer Frederick Gore, 1878–1914, British
- Interior of the New Bedford
- between 1908 and 1909
- Benjamin Robert Haydon, 1786–1846, British
- Sketches for a Scene from 'Macbeth'
- ca. 1811
- John Frederick Lewis, 1804–1876, British
- Study for the Proclamation of Don Carlos
- between 1834 and 1838
- unknown artist
- Woman in Egyptian Dress
- undated
- Angelica Kauffmann RA, 1741–1807, Swiss, active in Britain (1766–81)
- Self-Portrait
- undated
- Benjamin Robert Haydon, 1786–1846, British
- Portrait of a Gentleman (W. Winston?)
- ca. 1835
- Francis Hayman, 1707/8–1776, British
- Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
- undated
- John Frederick Lewis, 1804–1876, British
- Interior of an Eastern House
- between 1840 and 1851
- John Frederick Lewis, 1804–1876, British
- The Ramesseum at Thebes
- between 1841 and 1851
- John Frederick Lewis, 1804–1876, British
- St. Goarhausen on the Rhine between Koblenz and Mainz
- 1827
- John Frederick Lewis, 1804–1876, British
- A Head Keeper, Windsor Castle, 1826
- 1826
- unknown artist
- Man in Egyptian Dress
- undated
- William Henry Hunt, 1790–1864, British
- Portrait of a Gentleman
- undated
- Sir George Howland Beaumont seventh Baronet, 1753–1827, British
- Tree Study
- 1807
- Hugh Douglas Hamilton, 1739–1808, British
- Portrait of a Divine
- after 1791
- Richard Banks Harraden, 1778–1862, British
- Clare College, Cambridge
- 1841
- Walter Greaves, 1846–1930, British
- Portrait Study of Whistler
- undated
- Francis Hayman, 1707/8–1776, British
- Falstaff Inspecting the Recruits
- between 1761 and 1765
- Spencer Frederick Gore, 1878–1914, British
- Study for "On the Sands"
- 1910
- unknown artist
- Knaresborough Castle
- undated
- Spencer Frederick Gore, 1878–1914, British
- The Alhambra Theatre, "On the Sands"
- 1910
- George Bryant Campion, 1796–1870, British
- Camp at Chobham, 1853 with Officers and Sentry
- 1853
- attributed to Peter DeWint, 1784–1849, British
- Still Life with Broom
- undated
- George Bryant Campion, 1796–1870, British
- Hastings Races
- undated
- George Delamotte, active 1809–1821, British
- A Country Lane with a Farm Labourer Climbing a Five-bar Gate, 1808
- 1808
- Sir David Wilkie, 1785–1841, British
- Study for "The First Ear-Ring"
- before 1834
- Sir David Low, 1891–1963, New Zealand
- S. O. S
- undated
- Benjamin Robert Haydon, 1786–1846, British
- Study of a Military Scene
- undated
- Sir William Nicholson, 1872–1949, British
- Canterbury Gate, Christ Church, Oxford
- 1903
- Sir David Low, 1891–1963, New Zealand
- Honor among Savages
- undated
- Benjamin Robert Haydon, 1786–1846, British
- Study of Fugures in a Dramatic Scene
- undated
- Spencer Frederick Gore, 1878–1914, British
- Cave of the Golden Calf: Interior of a Theatre
- 1912
- unknown artist, nineteenth century
- Lady with a Veil
- undated
- Rev. William Henry Barnard, 1767–1818, British
- The River at Dusk, Oxford
- 1792
- Lady Diana Beauclerk, 1734–1808, British
- Children with Pet Owls
- undated
- Theodor von Holst, 1810–1844, British
- Faust and Margaret
- undated
- Richard Banks Harraden, 1778–1862, British
- Milton's Mulberry Tree, Christ's College Gardens, Cambridge
- undated
- Richard Banks Harraden, 1778–1862, British
- Trinity Hall from the Garden, Cambridge
- undated
- John Hoppner, 1758–1810, British
- Young Child with Lap-Dog
- undated
- Laura Sylvia Gosse, 1881–1968, British
- Woman in Bed
- ca. 1920
- John Frederick Lewis, 1804–1876, British
- Seated Turk
- between 1840 and 1841
- John Frederick Lewis, 1804–1876, British
- Head of a Young Woman
- between 1838 and 1840
- John Frederick Lewis, 1804–1876, British
- Study of a Lion and Study of a Lioness' Head
- ca. 1820
- John Frederick Lewis, 1804–1876, British
- Sheik Hussein of Gebel Tor and His Son
- between 1842 and 1843
- John Frederick Lewis, 1804–1876, British
- A Street Scene in Granada on the Day of the Bullfight
- 1833
- John Linnell, 1792–1882, British
- Pike Pool, Beresford Hall, Derbyshire
- 1814
- unknown artist
- Study of a Woman
- ca. 1850
- Sir David Wilkie, 1785–1841, British
- Garden of Gethsemane
- 1841
- Richard Wilson RA, 1713/4–1782, British, active in Italy (1750–56)
- Castell Dinas Brân, Wales
- ca. 1771
- Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
- Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
- 1835 or 1836
- Paul Sandby RA, 1731–1809, British
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
- Paul Sandby RA, 1731–1809, British
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
- Paul Sandby RA, 1731–1809, British
- London Cries: "Any Kitchen Stuff"
- ca. 1759
- Hablot Knight Browne, 1815–1882, British
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
- George Stubbs, 1724–1806, British
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
- John Flaxman, 1755–1826, British
- Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
- undated
- John Raphael Smith, 1752–1812, British
- He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
- ca. 1780
- John Raphael Smith, 1752–1812, British
- So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
- ca. 1780
- attributed to Charles Claude Pyne, 1802–1878
- View of St. Catherine's Hill near Guildford
- undated
- Richard Wilson RA, 1713/4–1782, British, active in Italy (1750–56)
- Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank
- ca. 1752
- Amelia Long, 1762–1837, British
- View at Harrow: with farm-worker, cart and ruined barn
- undated
- Cornelius Varley, 1781–1873, British
- Landscape Composition
- undated
- Allan Ramsay, 1713–1784, British
- Study for a Portrait of a Woman
- undated
- Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
- A Page from a Cornish Sketchbook: Cornwall 30
- undated
- Sir James Thornhill, 1675–1734, British
- The Blinding of Elymas
- between 1709 and 1717
- attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
- Study of a Pilgrim
- undated
- Benjamin West, 1738–1820, American, active in Britain (from 1763)
- Costume Study for the Portrait of a Lady
- undated
- James Ward, 1769–1859, British
- Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
- undated
- Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
- Landscape with Ruins
- undated
- John Hayter, 1800–1895, British
- George Graham and His Wife, Margaret, Making a Balloon Ascent, London, 1823
- 1823
- Paul Sandby RA, 1731–1809, British
- Bridgenorth, Shropshire
- ca. 1801
- Daniel Maclise, 1806–1870, Irish
- Henry Sass
- between 1830 and 1835
- James Northcote, 1746–1831, British
- Study for a Tiger and Monkeys
- undated
- Bryant Edward Duffay
- Bryant Edward Duffay, 1833, Oct. 19th
- 1833
- Isaac Weld, 1774–1856, Irish
- Mountainous Landscape with a Bridge and House
- ca. 1816
- Paul Nash, 1889–1946, British
- Study of Mrs. Nash
- ca. 1916
- attributed to John Linnell, 1792–1882, British
- An Old Cabin on the Bank of a River
- undated
- Sir David Wilkie, 1785–1841, British
- Johnny and His Pony
- 1836
- Robert Polhill Bevan, 1865–1925, British
- Swiss Cottage, Hampstead
- between 1912 and 1913
- Robert Polhill Bevan, 1865–1925, British
- The White House (Gould's Farm Luppitt)
- ca. 1920
- Cornelius Varley, 1781–1873, British
- Mountain Panorama in Wales, Cader Idris
- 1803
- William Ward, 1766–1826, British
- Portrait Study of Mrs. George Morland
- undated
- Richard Wilson RA, 1713/4–1782, British, active in Italy (1750–56)
- Ruined Temple of Minerva?, Two Figures on River Bank
- undated
- Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
- Old Cedar Tree in Botanic Garden, Chelsea
- 1854
- James Ward, 1769–1859, British
- Study of a Calf
- undated
- Richard Wilson RA, 1713/4–1782, British, active in Italy (1750–56)
- Study of an Old Tree: Trunk and Creeper-Covered Roots
- undated
- unknown artist, eighteenth century-nineteenth century
- Shepherd and Dog Driving Sheep up a Wooded Slope, Two Cows Looking On
- undated
- Richard Wilson RA, 1713/4–1782, British, active in Italy (1750–56)
- Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
- undated
- Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
- Rome from San Spirito
- undated
- Sir David Wilkie, 1785–1841, British
- La Mancha
- 1828
- Edward Francis Burney, 1760–1848, British
- Bathampton Mill
- undated
- George Stubbs, 1724–1806, British
- Leopard Body, Lateral View
- 1795 to 1806
- John Constable, 1776–1837, British
- Trees in a Meadow
- ca. 1805
- Dr. William Crotch, 1775–1847
- Battle Abbey, Sept. 8, 1807
- 1807
- Edward Burne-Jones, 1833–1898, British
- Salvator Mundi
- 1882
- Edward Francis Burney, 1760–1848, British
- Profile Study of Female Head
- undated
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Source: https://collections.britishart.yale.edu/?f%5Bauth_format_ss%5D%5B%5D=graphite&f%5Bauth_format_ss%5D%5B%5D=black+chalk&per_page=100&q=
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